XAMINING FRANCOIS ROSSES JAPANESE INFLUENCED CHAMBER MUSIC WITH SAXOPHONE HYBRIDITY ORALITY AND PRIMITIVISM AS A CONCEPTUAL FRAMEWORK NoaEven

EXAMINING FRANÇOIS ROSSÉ’S JAPANESE-INFLUENCED CHAMBER MUSIC WITH SAXOPHONE: HYBRIDITY, ORALITY, AND PRIMITIVISM AS A CONCEPTUAL FRAMEWORK

Noa Even

A Dissertation

Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS